by Patrick Little Roger Chapman is best known for his barbed-wire voice, used to front British 70s rock acts Family and Streetwalkers. He began a long-awaited solo career in 1978 that has led to over a dozen full-length releases. Never heard of them? Its not surprising; album-wise, hes been camped out in Germany for 20 years. His first album and tour got high praise in his British homeland, but critics cut into him soon after. When the hassle-free German market beckoned, Chapman began to focus all subsequent work there, where he has become a musical hero, the Working Class Artist. Chapman split with his longtime writing partner, Charlie Whitney, after the breakup of Streetwalkers in 1977. He surrounded himself with ace session musicians to cut a debut solo effort, Chappo. It was an album of strong rock which catered to the singer and not the musicians. An appearance on Germanys Rockpalast TV show and the ensuing hit single, Lets Spend the Night Together, gave Chapman the shot of success he needed, so he set up operations in Germany. Live in Hamburg was a reassuring second album, demonstrating the live energy of this experienced yet stage-crazed performer. Studio albums over the next few years blended straight power rock with funk, R&B and soul, all topped with Chapmans characteristic vocal style. In the 1981 German music awards, Chapman was voted Best Singer, and his Hyenas Only Laugh For Fun won an award. Chapman and his backing band, the Shortlist, released two alter-ego albums in the early 80s as the Riff Burglars. These releases honored roots and classic rock by artists like Chuck Berry, Willie Dixon and Leiber & Stoller. A lead vocal on Mike Oldfields 1983 hit, Shadow on the Wall, also added to Chapmans diverse repertoire. Chapmans mid-80s foray into polished studio sounds did not fare well with his audience. When his extended partnership with guitarist Geoff Whitehorn ran its course, Chapman returned to pure rock form with 1989s Walking the Cat, which featured Alvin Lee and old friend, Bob Tench. Two compilations filled a silent period in the mid 90s, but 1996s Kiss My Soul was a comeback for the guy who never went away. It even got attention and a pressing in Chapmans British homeland, where he often tours but has no domestic releases. This was followed by 1998s A Turn Unstoned? and the 2-CD Anthology; the next year saw re-releases of Chappo and Mail Order Magic. Moth to a Flame was issued in early 2001.