1988年，以AndyBadale的藝名展開(kāi)音樂(lè)事業(yè)的AngeloBadalamenti，為美國(guó)名導(dǎo)大衛(wèi)林區(qū)的經(jīng)典作品“藍(lán)絲絨”寫(xiě)了配樂(lè)后改回義大利原名。他的音樂(lè)證明和林區(qū)怪異又精彩的影片一樣令人難忘。這兩人之后又合作了幾次，包括電影“我心狂野”，和有創(chuàng)意的電視影集“雙峰”。為了這部影集，之前為鄉(xiāng)村音樂(lè)創(chuàng)作者和動(dòng)作片配樂(lè)者的Badalamenti，創(chuàng)造出史上最獨(dú)特且怪誕的電視主題曲之一，完美捕捉住“雙峰”超現(xiàn)實(shí)且悲劇性的世界。 Best known for his hauntingly atmospheric work with filmmaker David Lynch, composer Angelo Badalamenti was born in Brooklyn, NY, in 1938; a classically trained performer, he spent the early years of his career playing the Catskills resort area, later writing and arranging for singers including Shirley Bassey and country star Mel Tillis. Under the name Andy Badale, he entered the film industry in 1973, debuting with the score to the action film Gordon's War. Despite subsequent work on such features as 1974's Law and Disorder and 1976's Across the Great Divide, Badalamenti remained largely unknown before hooking up with Lynch on the soundtrack of the director's 1986 masterpiece Blue Velvet; they subsequently worked together on the features Wild at Heart, Lost Highway, and The Straight Story. Perhaps the most famous fruit of their collaboration was the cult hit television series Twin Peaks, for which Badalamenti created one of the most distinctive and evocative theme songs in TV history. The duo also wrote and produced a pair of LPs for ethereal chanteuse Julee Cruise, 1989's Floating Into the Night and 1993's The Voice of Love, and staged an avant-garde musical theater piece titled Industrial Symphony No. 1. In 1996, Badalamenti shifted gears, teaming with James vocalist Tim Booth for the LP Booth and the Bad Angel. Badalamenti subsequently worked on the scores for such films as Dark Water and The Wicker Man. 更多>>